ای آفتاب به شب مبتلا خداحافظ
غریب وار دیر آشنا خداحافظ
به قله ات نرسانید بخت کوتاهم
بلندپایه ی بالا بلا خداحافظ
تو ابتدای خوش ماجرای من بودی
ای انتهای بدماجرا خداحافظ
به بسترت نرسیدند کوزه های عطش
سراب تفته چشمه نما خداحافظ
میان ماندن و رفتن درنگ می کشدم
بگو سلام بگویم و یا خداحافظ
قبول می کنم از چشمهای معصومت
که بی گناه ترینی ولی خداحافظ
اگر چه با تو سرشتند سرنوشت مرا
ولی برای همیشه تورا خداحافظ
خوب امروز سال تحویل میشه و به عبارتی عید نوروز هست . همه مشغول خونه تکونی و تکاپو برای سال جدید هستن . من هم تصمیم گرفتم یه خونه تکونی اساسی بکنم . امروز نشستم هرچی خاطره قدیمی داشتم همه رو انداختم دور . هر چی نوشته ، یادداشت ، دفتر ، سی دی و ..... خلاصه هر چی از قدیم داشتم از اون زمانی که ما با هم کلی خاطره داشتیم ( کلاس مباحث ویژه ، تمرین های درس ها ، پروژه ها و .... ) همه رو انداختم دور . دیگه نمی تونستم بیشتر از این نگهشون دارم .
حالا دیگه پاک پاکم از هرچی خاطره قدیمی هست چه خوب چه بد . دیگه آزادم . حس می کنم ذهنم حالا داره یه هوایی می خوره . نمی دونم بعدها از این کارم پشیمون میشم یا خوشحال ولی باید یه کاری می کردم . ازت هم معذرت می خوام که این کارو کردم ولی .....
Life is a journey, not a destination.
خوب به احتمال زیاد این آخرین نوشته من توی این وبلاگ باشه . دفترچه خاطراتم هم که به همین اسم بود امروز قاطی آشغال ها برای همیشه رفت .
در نهایت برات توی تموم مراحل زندگیت آرزوی خوشبختی و سعادت می کنم . امیدوارم به هرچی که دوست داری برسی . احسان هم هرچه زودتر خدمتش تموم بشه و ....
از تمام دوستاتی هم که توی این مدت از من حمایت کردن چه روحی و چه زبونی تشکر می کنم و به احترام همون نظرها و کمک ها باز هم میام و اگه حرفی باشه که نوشته باشین می خونم .
تبسم شیرین عشق گوشه ای از نگاه خداست، تنها به نگاه او می سپارمت . شبت قشنگ
+ نوشته شده در شنبه بیست و نهم اسفند 1388ساعت 20:55  توسط هادی
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میدونم که این مطلبو میخونی
بدون حتی یک لحظه اشکم بند نیومده . دلت خنک شد ، همینو میخواستی . حالا دلت خنک شد ولی یک ذره هم به عشقم مشکوک نیستم . تا باشه از این گریه ها ولی بدون تو زیباترین اشتباه زندگیم بودی .
Art is a LIE that makes us realize truth
Pablo Picaso
+ نوشته شده در شنبه بیست و دوم اسفند 1388ساعت 18:49  توسط هادی
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انقدر برايت ننوشتم كه خاطراتت هم با من قهر كرده اند
دلم براي نوشته هاي ننوشته ي خودم هم تنگ شده چه برسد براي مخاطب ننوشته هايم
هزاران هزار صفحه سفيد را سياه كردم كه بيايي بيايي و به داد دلم برسي
بيايي و دلم را دل داري دهي بيايي و ستارهاي آسمان چشمهاييم را كه هر شب هزاران هزار تايشان به
زمين چهره ام سقوط مي كنند جمع كني
اما افسوس
ديگر كاغذ خسته شده از بس كه سياهش كردم
من هم ديگر .....
خيال تو مرا هر شب تا اوج روياهاي كال نرسيده ام مي برد
تا اوج بي تو بودنهايم
تا آسمان چشمهايت .اما همانجاست كه مرا رها مي كند و من چنان به مرداب بيداري سقوط مي كنم
كه تا سپده صبح براي بيرون آمدن از اين مرداب تاريكي دست و پا مي زنم
دلم در التماس است و از دست چشمهايم كاري بر نمي ـيد
نه هستي تا ببينمت نه نزديكي تا بيابمت .
چه كنم ؟
هنوز ماتم زده سر كوچه اي نشسته ام كه براي اخرين بار از آن عبور كردي و من
خميده مانده ام براي لمس جاي پايت
منتظر بازگشتت هستم
"Everyone thinks of changing the world,but no one thinks of changing himself" - Leo Tolstoy
+ نوشته شده در سه شنبه بیست و هفتم بهمن 1388ساعت 22:32  توسط هادی
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حرف ها دارم
با تو اي مرغي كه مي خواني نهان از چشم
و زمان را با صدايت مي گشايي !
چه ترا دردي است
كز نهان خلوت خود مي زني آوا
و نشاط زندگي را از كف من مي ربايي؟
در كجا هستي نهان اي مرغ !
زير تور سبزه هاي تر
يا درون شاخه هاي شوق ؟
مي پري از روي چشم سبز يك مرداب
يا كه مي شويي كنار چشمه ادارك بال و پر ؟
هر كجا هستي ، بگو با من .
روي جاده نقش پايي نيست از دشمن.
آفتابي شو!
رعد ديگر پا نمي كوبد به بام ابر.
مار برق از لانه اش بيرون نمي آيد.
و نمي غلتد دگر زنجير طوفان بر تن صحرا.
روز خاموش است، آرام است.
از چه ديگر مي كني پروا؟
First FIND yourself, Second TRUST yourself
then BE yourself
finally Give everything a try
شبت قشنگ
+ نوشته شده در یکشنبه بیست و پنجم بهمن 1388ساعت 0:53  توسط هادی
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اگر مخالفان خود را به پای چوبهی اعدام می کشانی !
بدان صاحب عقلی هستی بسان طناب .
و اگر مخالفان خود را به زندان می فرستی!
بدان صاحب عقلی هستی بسان قفس .
و اگر با مخالفان خود به جنگ درمی افتی!
بدان صاحب عقلی هستی بسان چاقو .
و اما اگر با مخالفان خود به بحث و گفتگو می پردازی و آنها را متقاعد می سازی و به سخنان حق آنها قناعت می کنی!
بدان صاحب عقلی هستی بسان عقل !
دکتر علی شریعتی
[YOUNG COSETTE]
There is a castle on a cloud,
I like to go there in my sleep,
Aren't any floors for me to sweep,
Not in my castle on a cloud.
There is a room that's full of toys,
There are a hundred boys and girls,
Nobody shouts or talks too loud,
Not in my castle on a cloud.
There is a lady all in white,
Holds me and sings a lullaby,
She's nice to see and she's soft to touch,
She says "Cosette, I love you very much."
I know a place where no one's lost,
I know a place where no one cries,
Crying at all is not allowed,
Not in my castle on a cloud.
Oh help! I think I hear them now,
and I'm nowhere near finished sweeping and
scrubbing and polishing the floor.
Oh, it's her! It's Madame!
[MME. THENARDIER]
Now look who's here
The little madam herself!
Pretending once again she's been `so awfully good,'
Better not let me catch you slacking
Better not catch my eye!
Ten rotten francs your mother sends me
What is that going to buy?
Now take that pail
My little `Mademoiselle'
And go and draw some water from the well!
We should never have taken you in in the first place
How stupid the things that we do!
Like mother like daughter, the scum of the street.
Eponine, come my dear, Eponine, let me see you
You look very well in that new little blue hat
There's some little girls who know how to behave
And they know what to wear
And I'm saying thank heaven for that.
Still there Cosette?
Your tears will do you no good!
I told you fetch some water from the well in the wood!
[YOUNG COSETTE]
Please do not send me out alone
Not in the darkness on my own!
[MME. THENARDIER]
Enough of that, or I'll forget to be nice!
You heard me ask for something,
And I never ask twice!
+ نوشته شده در پنجشنبه بیست و دوم بهمن 1388ساعت 23:32  توسط هادی
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با سلام به همه دوستان عزیز که میان و نظر می دن .
محیط وبلاگم رو عوض کردم شاید یه تغییری توی افکارم ایجاد بشه ، اما ...... بگذریم
دل نوشت :
من که یاری ندارم ، چشم انتظاری ندارم
قاصدک برو برو ، که با تو کاری ندارم
قاصدک به چشم من قصه ی یک دردی ، برو
می دونم برای من خبر نیاوردی ، برو
توی هفت تا آسمون من یه ستاره ندارم
کسی که عشق من رو به یاد بیاره ندارم
ندارم دلی که یک لحظه به یاد برنه
ندارم هیچ کسی رو که فکر کنی یار منه
قاصدک برو برو ، که با تو کاری ندارم
من که یاری ندارم ، چشم انتظاری ندارم
خلی وقته اونی که براش میمردم ، دیگه نیست
قاصدک هارو به یادش میشمردم ، دیگه نیست
خیلی وقته که دارم با تنهایی سر می کنم
همه قاصدک های شهر رو پرپر می کنم
قاصدک برو برو که با تو کاری ندارم
من که یاری ندارم ، چشم انتظاری ندارم
I try to change myself more and more and .....
someone told me that NUT UP or SHUT UP but i'm not on that mood :(
anyway , i hope you to have fun !!!!!
+ نوشته شده در شنبه سوم بهمن 1388ساعت 22:34  توسط هادی
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ما
همیشه عاشق این آدمها هستیم. هزار حرف داریم برایشان. اما وقتی در
برابرشان قرار میگیریم قفل بر زبانمان میزنند. اختیار از ما سلب میشود.
سکوت میکنیم و ...
دکترشریعتی انسان ها را به چهار گروه زیر دسته بندی کرده است
دسته اول
آنانی که وقتی هستند هستند، وقتی که نیستند هم نیستند
عمده آدمها حضورشان مبتنی به فیزیک است. تنها با لمس ابعاد جسمانی
آنهاست که قابل فهم میشوند. بنابراین اینان تنها هویت جسمی دارند.
دسته دوم
آنانی که وقتی هستند نیستند، وقتی که نیستند هم نیستند
مردگانی متحرک در جهان. خود فروختگانی که هویت شان را به ازای چیزی فانی
واگذاشتهاند. بیشخصیتاند و بیاعتبار. هرگز به چشم نمیآیند. مرده و
زندهشان یکی است.
دسته سوم
آنانی که وقتی هستند هستند، وقتی که نیستند هم هستند
آدمهای معتبر و با شخصیت. کسانی که در بودنشان سرشار از حضورند و در
نبودنشان هم تاثیرشان را میگذارند. کسانی که همواره به خاطر ما میمانند.
دوستشان داریم و برایشان ارزش و احترام قائلیم.
دسته چهارم
آنانی که وقتی هستند نیستند ، وقتی که نیستند هستند
شگفتانگیزترین آدمها در زمان بودشان چنان قدرتمند و با شکوهاند که ما
نمیتوانیم حضورشان را دریابیم، اما وقتی که از پیش ما میروند نرم نرم
آهسته آهسته درک میکنیم. باز میشناسیم. میفهمیم که آنان چه بودند. چه
میگفتند و چه میخواستند. ما همیشه عاشق این آدمها هستیم. هزار حرف
داریم برایشان. اما وقتی در برابرشان قرار میگیریم قفل بر زبانمان
میزنند. اختیار از ما سلب میشود. سکوت میکنیم و غرقه در حضور آنان مست
میشویم و درست در زمانی که میروند یادمان میآید که چه حرفها داشتیم و
نگفتیم. شاید تعداد اینها در زندگی هر کدام از ما به تعداد انگشتان دست
هم نرسد.
+ نوشته شده در دوشنبه بیست و یکم دی 1388ساعت 14:55  توسط هادی
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1. God Loves You!
The Bible says, "God so loved the world that He gave His one and only
Son, that whoever believes in Him shall not perish, but have eternal
life"
The problem is that
2. All of us have done, said or thought things that are wrong. This is called sin, and our sins have separated us from God.
The Bible says "All have sinned and fall short of the glory of God."
God is perfect and holy, and our sins separate us from God forever. The
Bible says "The wages of sin is death."
The good news is that, about 2,000 years ago,
3. God sent His only Son Jesus Christ to die for our sins.
Jesus is the Son of God. He lived a sinless life and then died on the cross to pay the penalty for our sins.
"God demonstrates His own love for us in that while we were yet sinners Christ died for us."
Jesus rose from the dead and now He lives in heaven with God His
Father. He offers us the gift of eternal life -- of living forever with
Him in heaven
if we accept Him as our Lord and Savior. Jesus said "I am the way, the
truth, and the life. No one comes to the Father except by Me."
God reaches out in love to you and wants you to be His child. "As many
as received Him, to them He gave the right to become children of God,
even to those who believe on His name." You can choose to ask Jesus
Christ to forgive your sins and come in to your life as your Lord and
Savior.
4. If you want to accept Christ as Savior and turn from your sins,you can ask Him to be your Savior and Lord by praying a prayer like this:
"Lord Jesus, I believe you are the Son of God. Thank you for dying on the cross for my sins.
Please forgive my sins and give me the gift of eternal life. I ask you in to my life and heart to be my Lord and Savior.
I want to serve you always."
Did you pray this prayer?
+ نوشته شده در دوشنبه چهاردهم دی 1388ساعت 0:59  توسط هادی
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The birth of jesus Christ this is how the birth of jesus christ came about : His mother Marry waw pledged to
be married to joseph, but before they came together, she was found to be with child
throught the Holy Spirit.
Because joswph her husband was a righteous man and did not want to expose her
to public disgrace her quietly.
But after he had considered this, an angel of the LORD appeared to him in a dream
and said. " Joseph son of David, do not be afraid to take Marry home as your wife,
because what is conceived in her is from the Holy sprit.
she will give birth to a son, and you are to give him the name jesus, because he will
save his people fromn their sins.
all this took place to fulfill what the lord had said throught the prophet:
"The virgin will be with child and will give birth to a son, and the will call him
Immanuel " which means. " God with us" .
When joseph woke up, he did what the angel of the lord had commanded him and
took marry home as his wife.
But he had no union with her until she gave birth to a son. And he gave him the
name Jesus.
Though of the day...
Some may think it is simple and out dated when we hear the phrase "Jesus is the
reason for the season." However it's the truth,Jesus came to earth ....
thanks for visiting and merry christmas.in the form of a baby, born of a virgin, to
become God in the flesh. Why did he come? He came for one reason only, to save
us. He came knowing that he would die a horrid death on a Roman cross, yet He still
came. He came because He loves us so much that He died for us. He died for us
and we should die to self each day for Him. So as you think about Christmas,
remember Jesus is the reason for the season. He came to save us from our sins.
Today I ask, is Jesus the reason for your season?
+ نوشته شده در شنبه پنجم دی 1388ساعت 18:30  توسط هادی
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Mourning of Muharram
The Mourning of Muharram is an important period of mourning in the Shi'a branch of Islam, taking place in Muharram which is the first month of the Islamic calendar. It is also called the Remembrance of Muharram (Arabic: ذكرى محرم or مناسبة محرم). Many of the events associated with the remembrance take place in congregation halls known as Hussainia.
The event marks the anniversary of the Battle of Karbala when Imam Husayn ibn Ali, a grandson of Muhammad the founder of Islam, and a Shia Imam, was killed by the forces of the second Umayad caliph Yazid I. The event is marked by arranging 'majalis' (gatherings) to review Islamic teachings and to commemorate Husayn's sacrifice. The mourning reaches its climax on the tenth day, known as Ashura, on which the forces of Yazid killed the 72 individuals who fought, including Husayn and his family and supporters. The women and children left living were made prisoners and transported to Yazid's court in Damascus.
The words Azadari and Majalis-e Aza has been exclusively used in connection with the remembrance ceremonies for the martyrdom of Imam Hussain. Majalis-e Aza, also known as Aza-e Husayn, includes mourning congregations, lamentations, matam and all such actions which express the emotions of grief and above all, repulsion against what Yazid stood for.
The term majalis has both a grammatical meaning and a meaning which relates to Aza-e-Husayn. In its technical sense, a majalis is a meeting, a session or a gathering.
The Azadari of Muharram was started by the family of Muhammad (the Ahl-ul-Bayt) after the death of Muhammad's grandson Husayn ibn Ali at the Battle of Karbala in 680 AD. Following the battle of Karbala, Muhammad's granddaughter Zaynab binte Ali and sister of Husayn, began mourning for the fallen and making speeches against Husayn ibn Ali's opponents: Ibn Ziyad and Yazid I. News of Husayn ibn Ali's death was also spread by Imam Zain-ul-Abideen, who succeeded Husayn as the Shia Imam, via sermons and speeches throughout Iraq, Syria and Hejaz.
Zainab and Zainu l-Abi Din informed the people that Yazid had martyred Imam Husayn and seventy-two of his companions including his six month old son Ali Asghar, and that their women and children were taken as prisoners to Syria. When word of mourning reached Yazid he decided to release the captive women and children from the prison in Damascus, out of fear of public revolt against his rule. He sent for Zainu l-Abi Din, informed him of the impending release and asked if he wished for anything further. Zain said he would consult with Zainab. She asked Yazid to provide a place where the people could mourn for Imam Husayn and others of Muhammad's household. A house was provided, and here Zaynab binte Ali held the first Majlis-e Aza of Husayn and started the Mourning of Muharram.
History of commemoration
The mourning and commemoration for Husayn ibn Ali originated in Arab Iraq, as this is where Husayn was martyred. However, they were held in Iran as early as the twelfth century, when both Sunnis and Shias participated in them. In the Safavid period, the annual mourning ceremonies for Imam Hosayn, combined with the ritual cursing of his enemies, acquired the status of a national institution. Expressions of grief such as sine-zani (beating the chest), zangir-zani (beating oneself with chains), and tage-zani or qama-zani (hitting oneself with swords or knives) emerged as common features of the proliferating mourning-processions (dasta-gardani). Mourning for the martyred Imam also took place in assemblies held in buildings erected especially for the purpose, known either as Hussainia or takia, as well as in mosques and private houses. At these assemblies, called either rawze-khani (the recitation of Rawzat al-Shuhada by Hosayn Waeze Kashefi (d. 910/1504-05)) or marsia-khani (the recitation of elegies), professional reciters and preachers would recount the deeds of the martyrs and curse their enemies, arousing the emotions of the mourners who responded by singing dirges at appropriate intervals in the narrative. Theatrical representations of the tragedy at Karbala (ta'zia)—possibly the most remarkable feature of the entire corpus of Muharram ritual—also made their appearance in the Safavid period.[1]
Commemoration of the tragedy at Karbala reached its apogee in the mid-nineteenth century. By then it had spread across a vast area, extending from the Middle East and the Caucasus eastwards to India, Indonesia, and Thailand, and it had even been established in Trinidad by Indian Muslim migrants. In Iran, the memory of Karbala came to permeate social and cultural life, with mourning assemblies and dramatic performances (not all shias agree with the re-enacting of the tragedy of Karbala however) being organized throughout the year, not only in Muharram. The occasion might be furnished by the death of a revered person or the need to fulfill a vow. Gatherings known as sofra (lit. tablecloth), in which the preparation and serving of food played a focal role, were exclusively feminine: the preachers as well as the mourners were all women, and the lives and tribulations of women such as Fatimah and Zaynab were the principal topic of commemoration. Gatherings of this type appear to have originated in the late nineteenth century.
Types of Mourning
How the event is mourned differs between different branches of Shia and different ethnic groups. The event is also observed by many Sunnis, but to a lesser extent, and as a time of remembrance, rather than mourning.
n the Twelver three traditional schools (Usooli, Akhbari, and Shaykhi), mourners, both male and female, congregate together (in separate sections) for sorrowful, poetic recitations performed in memory of the death of Husayn, lamenting and grieving to the tune of beating drums and chants of "Ya Husayn." Passion plays are also performed, reenacting the Battle of Karbala and the suffering and death of Husayn at the hands of Yazid. They offer condolences to Imam-e-Zamana also known as Imam al-Mahdi whom they believe will avenge the blood of Husayn and bring justice to the world.
Twelver Alevis also mourn, and they keep themselves from eating and drinking ("fasting") the first 10–12 days of Muharram. In this period, the Alevis wear black clothes, do not shave themselves and avoid any type of entertainment and pleasure. Originally, it is also forbidden to bath and change clothes during this period, but today most Alevis do not follow this rule. This is called "Muharrem Matemi", "Yas-i Muharrem" or "Muharrem orucu". But because it is also called "fasting", many people falsely think that Alevis celebrate the Muharram. The definition of the "fast" in this connection is different from the normal type of "fasting".
The only Ismaili group which mourns are the Mustaali, who mourn similarly to the majority of Twelvers.
For the duration of the remembrance, it is customary for mosques to provide free meals (nazar) on certain nights of the month to all people. These meals are viewed as being special and holy, as they have been consecrated in the name of Imam Husayn, and thus partaking of them is considered an act of communion with Allah, Imam Husayn, and humanity.
In South Asia, a number of literary and musical genres, produced by both Shias and Sunnis, that have been inspired by the Battle of Karbala are performed during the month, such as marsiya, noha and soaz. This is meant to increase the peoples understanding of how the enemies fought The Battle of Karbala against Husayn and his followers. In Trinidad and Tobago and Jamaica all ethnic and religious communities participate in the event, locally known as "Hosay" or "Hussay"[citation needed]. In Indonesia, the event is known as Tabuik (Minangkabau language) or Tabut (Indonesian).
Ziarat Imam Husayn Shrine
Many Shia also tend to embark on a pilgrimage to the Imam Husayn Shrine in Karbala itself, as it is one of the holiest places for Shias outside of Mecca and Medina. Up to one million pilgrims a year visit the city to observe the anniversary of Husayn ibn Ali's death. [1] The shrine is located opposite that of Abbas ibn Ali.
Matam
Many of the male and female participants congregate together in public for ceremonial chest beating (matam) as a display of their devotion to Imam Husayn and in remembrance of his suffering. In some Shi'a societies, such as those in Bahrain, Pakistan, India, Afghanistan, Lebanon and Iraq, some male participants incorporate knives or razors swung upon chains into their matam.
Taziya
One form of mourning is the theatrical re-enactment of the Battle of Karbala. In Iran this is called taziya or taziyeh. Theatrical groups that specialize in taziya are called taziya groups.[3] Taziyas were popular through the Qajar dynasty up into the early twentieth century, but the reinactments slowly declined until they were mostly abandoned in the large cities by the early 1940s. Nonetheless, taziyas continued to exist in Iran on a smaller scale especially in more rural and traditional areas. Reza Shah, the first of the Pahlavi dynasty, had outlawed taziyas. Despite some attempts at since 1979, Muharram processions and various forms of the rawza khani are still more common.[4]
In South Asia where dramatic commemmorations are less significant, ta'zīya came to refer as specifically to the miniature mausoleums used in processions held in Muharram. It all started from the fact that the great distance of India from Karbala prevented Indian Shi'is wish to buried near tomb of Imam Husayn or frequent pilgrimages(ziyarat) to tomb. This is the reason why Indian Shi'is established local karbalas on the subcontinent by bringing soil from Karbala and sprinkling it on lots designated as future cemetries. Once the karbalas were established on the subcontinent, next step was to bring Husayn's tomb-shrine to India. This was established by building replicas of Husayn's mausolem called ta'zīya to be carried in Muharram processions. Thosands of ta'zīyas in various shapes and sizes are fashioned every year for months of mourning of Muharram and Safar; and are carried in processions and may be buried at the end of Ashoura day or Arbain day.
Hadith
Muhammad said:
Surely, there exists in the hearts of the Mu' mineen, with respect to the martyrdom of Husayn, a heat that never subsides.[6]
Muhammad said:
O Fatimah! Every eye shall be weeping on the Day of Judgment except the eye which has shed tears over the tragedy of Husayn for surely, that eye shall be laughing and shall be given the glad tidings of the bounties and comforts of Paradise. [7]
Ali ibn Hussein said:
Every Mu'min, whose eyes shed tears upon the killing of Husayn ibn' Ali and his companions, such that the tears roll down his cheeks, God shall accommodate him in the elevated rooms of paradise. [8]
Ali said to Ibn Abbas:
(Once when he happened to pass by Karbala), Isa Jesus sat down and began to weep. His disciples who were observing him, followed suit and began weeping too, but not comprehending the reason for this behaviour, they asked him: "O' Spirit of God! What is it that makes you weep?" Isa Jesus said: "Do you know what land this is?" The disciples replied: "No." He then said: "This is the land on which the son of the Prophet Ahmad shall be killed.
+ نوشته شده در سه شنبه یکم دی 1388ساعت 0:40  توسط هادی
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